My inspiration was the far right corner of the field beyond the trees and that is what I initially used for my focal point in the rule of thirds. I loved the hay bales against the trees in the distance also. As I painted from top to bottom, I realized I would need more in the foreground so...since the cows were meandering, grazing,laying down, getting up...I got a few photos and worked the cows in using the camera for reference, although it is terribly hard to see in the sunlight. During an Ohio Plein Air Society critique I had been told by Jack Liberman twice that my backgrounds look pasted on so I remembered to blur the edges and gray the trees in the distance. I do have difficulty with my greens and had to repaint them as they ended up too dark for the sunny day. I do like a little drama and strong values in my paintings but that just doesn't work in most plein air paintings.I tried to design the shadows to point to the focal point even though the sun was above the trees but the light was still on the cows and I liked that they were peaceful looking.
What sparks the creative urge, what happens when I start to paint, what is needed for the creative process. Lessons I have learned
Saturday, August 29, 2009
To begin again
My inspiration was the far right corner of the field beyond the trees and that is what I initially used for my focal point in the rule of thirds. I loved the hay bales against the trees in the distance also. As I painted from top to bottom, I realized I would need more in the foreground so...since the cows were meandering, grazing,laying down, getting up...I got a few photos and worked the cows in using the camera for reference, although it is terribly hard to see in the sunlight. During an Ohio Plein Air Society critique I had been told by Jack Liberman twice that my backgrounds look pasted on so I remembered to blur the edges and gray the trees in the distance. I do have difficulty with my greens and had to repaint them as they ended up too dark for the sunny day. I do like a little drama and strong values in my paintings but that just doesn't work in most plein air paintings.I tried to design the shadows to point to the focal point even though the sun was above the trees but the light was still on the cows and I liked that they were peaceful looking.
Friday, June 19, 2009
Sneaking into the Meadow
Sunspot Bench
The Garden Path
Friday, May 22, 2009
Unable to post temporarily
Until I can get more help and get Mom into assisted living I will be unable to post, paint or participate. Overwhelmed!
Thursday, May 7, 2009
Great watercolor class
We had a great class last night. Next week will take my camera and post the paintings. Today must get ready to take paintings to the weekend show and prepare for 26 artists to paint plein air at Kingwood Center Saturday in Mansfield, OH. Great Ohio painters painting out where you can watch.
Friday, May 1, 2009
Mohican Bird feeder
Now you can see what I have added. Some of the tree limbs point down to the bird feeder. The two red spots, the cardinal and the red head of the woodpecker also draw the eye to the feeder. The pines below anchor the feeder to the ground. Much planning went into which birds where for the design of the painting. Both Mohican paintings were uploaded to my FineArtAmerica site.
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