Took me a while to get going today. I have been doing some pen and ink and watercolor studies in my art journal so decided when I am short on time will do the pen and ink studies. That is better than no painting at all. I thought I would attempt the 30 paintings in 30 days and that would get me working.
I did finish a 16x20 oil commission for a retiring Board Member as a gift .
I was happy with this painting and I believe everyone else was also. It did take me a while and I have done no other paintings except watercolor sketches in my art journal.
I did get two paintings juried into the Springfield Museum's Ohio Plein Air Society Show PARKS IN PLEIN AIR. We are guaranteed one painting but I got two in so I am thrilled.
Rutherford B. Hayes Center , Summer Blooms, 10x8 oil and Malabar Farm State Park 8x10 oil
My process is to make a small black and white sketch about 2x4 inches. You can see the design easily that way. Then I block in the big masses with color similar to the final color. Many times I may prepare my canvas with a transparent red oxide or alizarin crimson , especially if there is a lot of green in the painting. If the painting is very detailed I will put a pencil drawing before the prep color. Otherwise I will put the drawing on with a pastel pencil. Once the masses are filled in with thin paint it is time to start building the color, dark to light. It is very tempting to put the details in but they must wait to be able to stand out. After the painting is dry I will spray with retouch varnish. I usually try to photograph the painting before the spray to eliminate glare. I photo on a sunny day in the shade of my porch. You can always use a white sheet over a chair with the painting on the seat and you get under the sheet and photograph. Then I frame and add my business card and information about the painting on the back of the painting. Any questions, you can email me at firstname.lastname@example.org.